Wednesday, December 14, 2011

The Heart Is Deceitful Above All Things

  • Based on the novel by the mysterious and controversial JT LeRoy, Asia Argento's THE HEART IS DECEITFUL ABOVE ALL THINGS is a penetrating look at the emotional and physical bonds between mother and son. Argento, the daughter of Italian horror king Dario Argento (SUSPIRIA), directed and stars in the film, playing Sarah, a young woman addicted to sex, drugs, and danger. The movie opens as she ree
Featuring a series of loosely connected autobiographical stories, they describe the disturbing relationship between a mother and her adolescent son as she moves from lover to lover, dressing him as a girl and forcing him to shoplift. These are shocking stories of abusive love and dysfunctional sexuality, of heartbreak and of innocence lost. Once again, LeRoy's fantastical imagination and lyricism twists his haunted past into something utterly strange and magical.A series of loosely connected autobiograp! hical stories, they describe the disturbing relationship between a mother and her adolescent son as she moves from lover to lover, dressing him as a girl and forcing him to shoplift. These are shocking stories of abusive love and dysfunctional sexuality, of heartbreak and of innocence lost. Once again, LeRoy's fantastical imagination and lyricism twists his haunted past into something utterly strange and magical.A series of loosely connected autobiographical stories, they describe the disturbing relationship between a mother and her adolescent son as she moves from lover to lover, dressing him as a girl and forcing him to shoplift. These are shocking stories of abusive love and dysfunctional sexuality, of heartbreak and of innocence lost. Once again, LeRoy's fantastical imagination and lyricism twists his haunted past into something utterly strange and magical.Seven-year-old Jeremiah lived a calm, comfortable life in the care of a loving foster home until the day his young ! mother Sarah (Argento) came to take him against his will into ! her rec kless life of turmoil and depravity, between desolate truck-stops, flea bag motels, strip joints, drug den and deadbeat surrogate dads until he finds himself in the custody of his ultra-religious grandparents. Having adapted to his new life as a Christian fundamentalist, Sarah returns to claim her son. Bound by a love only a mother and son could have for each other, Sarah pulls Jeremiah further and further into her dementia. When Sarah is finally and wholly consumed by drugs, prostitution and violence, Jeremiah is forced into a desperate struggle to survive the madness of his surroundings.Asia Argento's adaptation of JT Leroy's short story collection, The Heart Is Deceitful Above All Things, still has the heartbreaking urgency of a tale about child abuse, regardless of Leroy's proven fraudulent identity. Weaving plots together from Leroy's two books, Sarah, and The Heart Is Deceitful, Argento relays the history of orphaned Jeremiah (Jimmy Bennett/Cole S! prouse), whose mother Sarah (Asia Argento) abandons him as a baby to work as a truck-stop lot lizard for her methamphetamine habit. Sarah tears Jeremiah away from a stable foster home to pathetically attempt mothering her seven-year old son. Jeremiah instantly grows up in strip clubs, drug dealers' homes, big rigs, and in the hot rod that he and his mother call home. His sadomasochistic sexual psychology also develops prematurely, informed by men who rape and beat him, and a mother whose work as a hooker requires Jeremiah's dressing up as a girl to pass as her younger sister. Enter a born again, psychotically zealous Grandfather (Peter Fonda) who takes temporary custody of Jeremiah, and the viewer begins to understand Sarah's severe rebelliousness, sensing that the punk, 23-year old prostitute may be a better parent for Jeremiah, simply because she loves him. Shot by Eric Alan Edwards (Kids, My Own Private Idaho), and with a soundtrack including Sonic Youth, Subhuman! s, Billy Corgan, and Hasil Adkins, the film has a raunchy, Sou! thern ap peal similar to that of Leroy's books. Cameos appearances by Winona Ryder and Marilyn Manson add rock star power. Argento keeps it sexy, as this is as much a story of the mother-child bond as it is about the malformation of a boy's sexual identity. True or not, The Heart is Deceitful Above All Things is a sincere yet stylized rendition of a terribly sad story. --Trinie Dalton

Dark City (Director's Cut) [Blu-ray]

  • The critically-acclaimed triumph from visionary director Alex Proyas (I, Robot, The Crow) is back with a brand new directors cut featuring enhanced picture and sound, never-before-seen footage and three commentary tracks that take you deeper than ever before into the world of one of sci-fis most exciting and revered tales. When John Murdoch (Rufus Sewell) wakes with no memory at the scene of a gri
The critically-acclaimed triumph from visionary director Alex Proyas (I, Robot, The Crow) is back with a brand new directors cut featuring enhanced picture and sound, never-before-seen footage and three commentary tracks that take you deeper than ever before into the world of one of sci-fis most exciting and revered tales. When John Murdoch (Rufus Sewell) wakes with no memory at the scene of a grisly murder, he soon finds himself hunted by the police, a woman claiming to be his wife and a mysterious! group of pale men who seem to control everything and everyone in the city. Starring Rufus Sewell (The Illusionist), Jennifer Connelly (A Beautiful Mind), William Hurt (A History of Violence) and Kiefer Sutherland (TVs 24).If you're a fan of brooding comic-book antiheroes, got a nihilistic jolt from The Crow (1994), and share director Alex Proyas's highly developed preoccupation for style over substance, you might be tempted to call Dark City an instant classic of visual imagination. It's one of those films that exists in a world purely of its own making, setting its own rules and playing by them fairly, so that even its derivative elements (and there are quite a few) acquire their own specific uniqueness. Before long, however, the film becomes interesting only as a triumph of production design. And while that's certainly enough to grab your attention (Blade Runner is considered a classic, after all), it's painfully clear that Dark City ha! s precious little heart and soul. One-dimensional characters a! re no ma tch for the film's abundance of retro-futuristic style, so it's best to admire the latter on its own splendidly cinematic terms. Trivia buffs will be interested to know that the film's 50-plus sets (partially inspired by German expressionism) were built at the Fox Film Studios in Sydney, Australia, home base of director Alex Proyas and producer Andrew Mason. The underground world depicted in the film required the largest indoor set ever built in Australia. --Jeff Shannon

The Emperor's New Groove - The New Groove Edition

  • Hilarious comedy rules in Disney's THE EMPEROR'S NEW GROOVE! There's something for everyone in this hip, funny movie with its dynamo cast, distinctive style, and great music -- featuring the Academy Award(R)-nominated song, "My Funny Friend And Me" (2000, Best Original Song). Emperor Kuzco (voiced by David Spade) is turned into a llama by his devious advisor, Yzma (Eartha Kitt), and he
If you liked ALADDIN, you'll love Disney's THE EMPEROR'S NEW GROOVE, where outrageous comedy rules! Audiences and critics alike raved about this hilarious animated adventure. "Ebert & Roeper And The Movies" gave it "Two Thumbs Up." Faster than you can say "Boom, baby," arrogant Emperor Kuzco is turned into a llama by his devious advisor, Yzma, and her hunky henchman, Kronk, who want to rid the kingdom of this beast of burden. Now the ruler who once had it all must form an unlikely alliance with a pleasant peasa! nt named Pacha. Together, Kuzco and Pacha must overcome their differences as they embark on a hilarious, "groovy" adventure that will have you howling with laughter.Originally developed as an epic called Kingdom of the Sun, The Emperor's New Groove lost scale and most of Sting's song score (some of which can be heard on the soundtrack) on its way to the screen. The end result is the lightest Disney film in many a moon, a joyous romp akin to Aladdin in its quotient of laughs for kids and adults. The original story centers on the spoiled teenage emperor Kuzco (David Spade), who enjoys getting the best of his Aztecan subjects. When he fires Yzma (Eartha Kitt), his evil sorceress, she seeks revenge and turns Kuzco into a llama with the help of her hunk of the month, a lunk named Kronk (Patrick Warburton). Alone in the jungle, the talking llama is befriended by Pacha (John Goodman), who has just been told to vacate his pastoral home by the human Kuzco. What'! s an ego to do? That's pretty much the story and the character! s--simpl e, direct, fun--a Disney film on a diet. For any fan of the acidic humor of Spade, this is essential viewing. As narrator of his tale, Kuzco uses a sarcastic tone to keep the story jumping with plenty of fun asides (he even "stops" the film at one point to make sure you know the story is about him). Even better is character actor Warburton (Elaine's stuck-up boyfriend on Seinfeld), who steals every scene as the dim-witted, but oh-so-likable Kronk. There's even a delicious Tom Jones number that starts the film off with a bang. --Doug Thomas
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