(27x40) Halloween H20 Movie Jamie Lee Curtis Original Poster Print

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HALLOWEEN: RESURRECTION
The reality programmers at DangerTainment have selected a group of thrill-seeking teenagers to spend one fun-filled night in the childhood home of serial killer Michael Meyers. But the planned live broadcast turns deadly when their evening of excitement becomes a night of horror as Michael himself decides to crash the party.

HALLOWEEN: H2O
Now the headmistress of a private school, Laurie Strode (Jamie Lee Curtis) is still struggling with the horrifying, 20-year-old memories of the maniacal killer Michael Myers...when he suddenly reappears with a vengeance. Laurie's rebellious son, his girlfriend, and the sch! ool security guard will become Michael's newest victims unless Laurie can conquer her greatest fears and put evil in its place once and for all.

HALLOWEEN: THE CURSE OF MICHAEL MYERS
In a single horrifying night, Michael Myers' masked reign of terror changed Halloween forever. Now, six years after he was presumed dead in a fire, Myers has returned to kill againâ€"and this time there's no escape. As the homicidal fury builds to a spine-tingling climax, the long-hidden secrets of the screen's most maniacal murderer are revealed...with shocking results.This smart and suspenseful thriller scares up a bone-chilling good time with original scream queen Jamie Lee Curtis (TRUE LIES, HALLOWEEN I&II) and a hot cast of hip young stars! Now the headmistress of a private school, Laurie Strode (Curtis) is still struggling with the horrifying, 20-year-old memories of the maniacal killer Michael Myers ... when he suddenly reappears with a vengeance! And this Hal! loween, his terror will strike a whole new generation! Laurie'! s rebell ious son (Josh Hartnett -- THE FACULTY), his girlfriend (Michelle Williams -- TV's DAWSON'S CREEK), and the school security guard (LL COOL J -- WOO, B.A.P.S.) will become Michael's newest victims unless Laurie can conquer her greatest fears and put evil in its place once and for all! The time has come again for you to experience the frightening fun of HALLOWEEN -- the motion picture series that totally redefined terror!Halloween is one of the great modern horror films, but as a franchise its track record has been spotty at best, painfully bad at worst. Halloween H2O: Twenty Years Later, directed by horror vet Steve Miner (Friday the 13th parts 2 and 3, House), won't displace John Carpenter's original but it might help you forget the films in between. Miner certainly has: the film begins as if sequels 3 through 6 never happened. Laurie Strode (Jamie Lee Curtis, reprising her role for the first time in almost two decades) faked her death and is now ! a single mom and headmistress of an exclusive California private school. She's also a secret alcoholic who lives in fear of her homicidal brother-bogeyman Michael Myers. Guess who decides to show up for a family reunion? The film begins with classic horror-movie exposition (the deserted college campus, Michael's escape, Laurie's waking nightmares) accomplished with some humor and style, but it's all setup for the second half, a driving roller coaster of stalk-and-slash thrills. There's little of the self-conscious genre referencing of Scream and at times the film is a little far-fetched--it is a slasher movie about a knife-wielding homicidal maniac who won't stay dead, after all--but Curtis transforms Laurie from a shrieking victim into an empowered, determined horror-movie heroine who's learned a thing or two from the previous films. Adam Arkin, Josh Hartnett, and TV cutie Michelle Williams (Dawson's Creek) costar, and the script received uncredited polish fr! om Scream writer Kevin Williamson; Curtis's mom, Janet ! Leigh, p ops up in a cameo. --Sean Axmaker This smart and suspenseful thriller scares up a bone-chilling good time with original scream queen Jamie Lee Curtis (You Again) and a hot cast of hip young stars!

Now the headmistress of a private school, Laurie Strode (Curtis) is still struggling with the horrifying, 20-year-old memories of the maniacal killer Michael Myers...when he suddenly reappears with a vengeance. Laurie's rebellious son (Josh Hartnett, 30 Days of Night), his girlfriend (Michelle Williams, Shutter Island), and the school security guard (LL Cool J, TVs NCIS: Los Angeles) will become Michael's newest victims unless Laurie can conquer her greatest fears and put evil in its place once and for all. The time has come again for you to experience the frightening fun of Halloweenthe motion picture series that totally redefined terror.This smart and suspenseful thriller scares up a bone-chilling good time w! ith original scream queen Jamie Lee Curtis (You Again) and a hot cast of hip young stars!

Now the headmistress of a private school, Laurie Strode (Curtis) is still struggling with the horrifying, 20-year-old memories of the maniacal killer Michael Myers...when he suddenly reappears with a vengeance. Laurie's rebellious son (Josh Hartnett, 30 Days of Night), his girlfriend (Michelle Williams, Shutter Island), and the school security guard (LL Cool J, TVs NCIS: Los Angeles) will become Michael's newest victims unless Laurie can conquer her greatest fears and put evil in its place once and for all. The time has come again for you to experience the frightening fun of Halloweenthe motion picture series that totally redefined terror.Halloween is one of the great modern horror films, but as a franchise its track record has been spotty at best, painfully bad at worst. Halloween H2O: Twenty Years Later, d! irected by horror vet Steve Miner (Friday the 13th part! s 2 and 3, House), won't displace John Carpenter's original but it might help you forget the films in between. Miner certainly has: the film begins as if sequels 3 through 6 never happened. Laurie Strode (Jamie Lee Curtis, reprising her role for the first time in almost two decades) faked her death and is now a single mom and headmistress of an exclusive California private school. She's also a secret alcoholic who lives in fear of her homicidal brother-bogeyman Michael Myers. Guess who decides to show up for a family reunion? The film begins with classic horror-movie exposition (the deserted college campus, Michael's escape, Laurie's waking nightmares) accomplished with some humor and style, but it's all setup for the second half, a driving roller coaster of stalk-and-slash thrills. There's little of the self-conscious genre referencing of Scream and at times the film is a little far-fetched--it is a slasher movie about a knife-wielding homicidal maniac who won't stay ! dead, after all--but Curtis transforms Laurie from a shrieking victim into an empowered, determined horror-movie heroine who's learned a thing or two from the previous films. Adam Arkin, Josh Hartnett, and TV cutie Michelle Williams (Dawson's Creek) costar, and the script received uncredited polish from Scream writer Kevin Williamson; Curtis's mom, Janet Leigh, pops up in a cameo. --Sean Axmaker Halloween is one of the great modern horror films, but as a franchise its track record has been spotty at best, painfully bad at worst. Halloween H2O: Twenty Years Later, directed by horror vet Steve Miner (Friday the 13th parts 2 and 3, House), won't displace John Carpenter's original but it might help you forget the films in between. Miner certainly has: the film begins as if sequels 3 through 6 never happened. Laurie Strode (Jamie Lee Curtis, reprising her role for the first time in almost two decades) faked her death and is now a ! single mom and headmistress of an exclusive California private! school. She's also a secret alcoholic who lives in fear of her homicidal brother-bogeyman Michael Myers. Guess who decides to show up for a family reunion? The film begins with classic horror-movie exposition (the deserted college campus, Michael's escape, Laurie's waking nightmares) accomplished with some humor and style, but it's all setup for the second half, a driving roller coaster of stalk-and-slash thrills. There's little of the self-conscious genre referencing of Scream and at times the film is a little far-fetched--it is a slasher movie about a knife-wielding homicidal maniac who won't stay dead, after all--but Curtis transforms Laurie from a shrieking victim into an empowered, determined horror-movie heroine who's learned a thing or two from the previous films. Adam Arkin, Josh Hartnett, and TV cutie Michelle Williams (Dawson's Creek) costar, and the script received uncredited polish from Scream writer Kevin Williamson; Curtis's mom, Janet Leigh, pops! up in a cameo. --Sean Axmaker Halloween is one of the great modern horror films, but as a franchise its track record has been spotty at best, painfully bad at worst. Halloween H2O: Twenty Years Later, directed by horror vet Steve Miner (Friday the 13th parts 2 and 3, House), won't displace John Carpenter's original but it might help you forget the films in between. Miner certainly has: the film begins as if sequels 3 through 6 never happened. Laurie Strode (Jamie Lee Curtis, reprising her role for the first time in almost two decades) faked her death and is now a single mom and headmistress of an exclusive California private school. She's also a secret alcoholic who lives in fear of her homicidal brother-bogeyman Michael Myers. Guess who decides to show up for a family reunion? The film begins with classic horror-movie exposition (the deserted college campus, Michael's escape, Laurie's waking nightmares) accomplished with some humor and s! tyle, but it's all setup for the second half, a driving roller! coaster of stalk-and-slash thrills. There's little of the self-conscious genre referencing of Scream and at times the film is a little far-fetched--it is a slasher movie about a knife-wielding homicidal maniac who won't stay dead, after all--but Curtis transforms Laurie from a shrieking victim into an empowered, determined horror-movie heroine who's learned a thing or two from the previous films. Adam Arkin, Josh Hartnett, and TV cutie Michelle Williams (Dawson's Creek) costar, and the script received uncredited polish from Scream writer Kevin Williamson; Curtis's mom, Janet Leigh, pops up in a cameo. --Sean Axmaker Halloween: H2O
Now the headmistress of a private school, Laurie Strode (Jamie Lee Curtis) is still struggling with the horrifying, 20-year-old memories of the maniacal killer Michael Myers...when he suddenly reappears with a vengeance. Also starring Josh Hartnett, Michelle Williams, LL Cool J and Joseph Gordon-Levi! tt.

Halloween: Resurrection
Reality programmers select a group of thrill-seeking teenagers to spend one night in the childhood home of serial killer Michael Meyers. But the broadcast turns deadly when Michael himself decides to crash the party. Starring Jamie Lee Curtis, Tyra Banks, Busta Rhymes, Katee Sackhoff, Ryan Merriman, Sean Patrick Thomas and Thomas Ian Nicholas.

Halloween VI: The Curse of Michael Myers
In a single horrifying night, Michael Myers' masked reign of terror changed Halloween forever. Now, six years after he was presumed dead in a fire, Myers has returned to kill againand this time there's no escape. Starring Paul Rudd, Donald Pleasence and Kim Darby.

Mothers Boys
After Jude Madigan (Jamie Lee Curtis) abruptly deserts her family, her husband (Peter Gallagher) and their young sons slowly build a happy new life with another woman. But when Jude unexpec! tedly returns three years later, her dangerous obsession to re! claim he r former life threatens to destroy everything. Also featuring Vanessa Redgrave.(27x40) Halloween H20 Movie Jamie Lee Curtis Original Poster Print

Baby Einstein Take Along Tunes

• Large easy press button toggles through 7 high quality classical melodies
• Colorful lights dance across the screen to each song
• Colorful Baby Einstein caterpillar handle is easy for little hands to hold and take anywhere
• Off/Low/High volume switch
• Promotes auditory development and music appreciation

Experience joy and happiness at its purest in this life-affirming, universal celebration of the magic and innocence of Babies. Proving that if you surround your baby with love it doesn’t matter what culture you’re from or what child-rearing practices you follow. Babies travels the globe following four children from vastly different corners of the worldâ€"Ponijao from Namibia, Bayarjargal from Mongolia, Mari from Tokyo and Hattie from San Francisco. Sure to put a smile on your face and a warm feeling in your heart, it’s the film that critics and audiences agr! ee “could be the feel-good movie of the decade!” (Moviefone)The babies in Babies are four newborns, photographed in their natural habitat in distinctly different parts of the world. Hattie is in San Francisco, Mari's in Tokyo, Baryarjargal lives out in the Mongolian steppes, and Ponijao is born amid the simple straw huts of Namibia. In the course of less than 80 minutes, we're going to follow this quartet through their first year of life, a chronicle that director Thomas Balmes and producer Alain Chabat have likened to a nature documentary that happens to focus on humans. We can cut to the chase here and say that above and beyond any sociological weight this project might possess, this film's main method can be summed up in the words of David Byrne and Talking Heads from the song "Stay Up Late": "See him drink / From a bottle / See him eat / From a plate / Cute cute / As a button /Don't you want to make him stay up late." In short, babies are cute, babies are fun! ny, and a camera focused on a baby is going to catch the sudde! n mood s hifts and clunky crawling and all the other ingredients of home movies. Along the way, we may pause to notice the cultural differences between the locales, as the American baby seems elaborately nurtured (maybe baby yoga classes could wait a year?) and the African baby views a world just as full of wonder and newness as anywhere else, despite the material poverty of the locale. The Namibia and Mongolia sequences are certainly more arresting than the two urban sections, because their backdrops are so dramatically unusual to most Western eyes. If those differences are colorful, the movie nevertheless suggests that babies are more alike in their development than they are different. Is this enough to qualify as a movie? Well, even if Babies really is little more than a collection of sure-fire infant cuteness, it'll probably be enough for its target audience. --Robert HortonBABIES - Blu-Ray MovieThe babies in Babies are four newborns, photographed in their na! tural habitat in distinctly different parts of the world. Hattie is in San Francisco, Mari's in Tokyo, Baryarjargal lives out in the Mongolian steppes, and Ponijao is born amid the simple straw huts of Namibia. In the course of less than 80 minutes, we're going to follow this quartet through their first year of life, a chronicle that director Thomas Balmes and producer Alain Chabat have likened to a nature documentary that happens to focus on humans. We can cut to the chase here and say that above and beyond any sociological weight this project might possess, this film's main method can be summed up in the words of David Byrne and Talking Heads from the song "Stay Up Late": "See him drink / From a bottle / See him eat / From a plate / Cute cute / As a button /Don't you want to make him stay up late." In short, babies are cute, babies are funny, and a camera focused on a baby is going to catch the sudden mood shifts and clunky crawling and all the other ingredients of home m! ovies. Along the way, we may pause to notice the cultural diff! erences between the locales, as the American baby seems elaborately nurtured (maybe baby yoga classes could wait a year?) and the African baby views a world just as full of wonder and newness as anywhere else, despite the material poverty of the locale. The Namibia and Mongolia sequences are certainly more arresting than the two urban sections, because their backdrops are so dramatically unusual to most Western eyes. If those differences are colorful, the movie nevertheless suggests that babies are more alike in their development than they are different. Is this enough to qualify as a movie? Well, even if Babies really is little more than a collection of sure-fire infant cuteness, it'll probably be enough for its target audience. --Robert Horton